Tag: making art

  • Stories are Made Loop by Loop Installed

    Stories are Made Loop by Loop Installed

    The rugs, display items, books, and frame with pattern were loaded into my car and driven to Harrisonburg, VA on July 11. I turned them all over to the curating team and learned some tips for installing exhibits. One, add screw eyes to the end of dowel rods so wires are secured when installing. Another, prepare a layout ahead and place painters tape where each item will be placed. Put the tape at top and cut wire(s) the length from moulding to display plus enough to wrap for hanging. Have all tools ready including multiple ladders and a full prep table.

    Part of this exhibit includes an interactive area with hooking frame, a design saying WELCOME and fabric strips set up for the public to try their hand. Simple directions are on a poster right next to the frame. By the end of the exhibit the completed rug will become an item to benefit the museum. The curating team was the first to pick up the hook and pull some loops.

    For those of you who will not be able to visit the Virginia Quilt Museum during this exhibit here is the digital catalog. The full catalog includes the traveling schedule, more work and artists, the bios and artist statements, links and resources to learn more about contemporary rug hooking.

    QR for Catalog at VQM

    Several of the artists are also authors. Their books are available to peruse in the exhibit and many are for sale in the Museum Shop. You can also purchase a colorful pin.

    I can’t say it often enough seeing fiber art in person is such a learning experience. There are several other exhibits at the Virginia Quilt Museum featuring contemporary mixed media, art quilts, heirloom treasures which will open your creative tool box to many new ideas.

    The full traveling schedule and link to catalog can also be found at SusanFeller.com/calendar. We all look forward to comments and the networking opportunity this opens.

    Check out our social media profiles as the artists share stories and their ongoing creative journeys. Cheryl Bollenbach, Meryl Cook, Susan Feller, Elizabeth Miller, Karen D Miller, Domenica Zara Queen, Terri Todd, By Jane’s Daughter, UnitingUs. Exhibiting in the next show is Laura Salamy.

  • Caring for Nature

    Caring for Nature

    Looking back over my work I realize growth, geology and sounds of nature have inspired and influenced it. To study life outside of our dwellings brings an awareness of delicacy and interdependency. It seems my media of choice; fiber/textiles and non-mechanical tools (a hook and needle); honors the experiences my senses absorb.

    I participated as a Girl Scout in the very first Earth Day celebrations. In 2020 I honored the 50th anniversary quietly while hooking alone in my studio on 2020 Journal (detail is above). See ‘Trees are My Muse on my YouTube channel where I explore the subject as design element.

    There are several organizations which I follow and support. Their focus is to advocate for the existing natural geology and life along with the populations living nearby. Corporate extraction of limited natural resources have resorted to invasive methods ignoring the existing benefits of open space for tourism, generations of families, and endangered species of flora and fauna.
    Coal River Mountain Watch monitors mountaintop removal permits in and near Naoma, WV. These are often broken with minimal fines levied.
    WV Rivers Coalition has worked successfully since 1990 to address the value of clean waters within the state. Protecting the waters from corporate fracking, chicken waste run off, logging and private land owners dredging the stream paths.
    ARTivism Virginia is a coalition of artists and advocates working to prevent the completion of the Mountain Valley Pipeline.

    The Old Growth forests throughout the United States are endangered from human growth in larger communities and corporate building. The current administration is funding protection of these spaces. Search for areas in your state on this site. In West Virginia there are several pockets. One is Cathedral State Park in Aurora, WV. Kanawha State Park just outside of Charleston, WV has a pocket of old growth trees. In Tucker County there are trees over 100 years old slated to be clear cut by the Forest Service.

    No matter how you communicate choose to respect this planet we all live on not just every April 22.

  • Learn by Questioning

    There are many opportunities to learn. Watching a how-to video helps, but when you are able to ask questions a relationship develops. The Tamarack Foundation for the Arts offers personal networking experiences through the Creative Network. Monthly Lunch and Learn programming lead by WVCN Liaison, Angelica Armstrong, introduces successful, emerging, retailers, writers, musicians, artists in all media to the registrants. After a conversation exploring the speaker’s journey, the audience raises questions and tags “golden nuggets” (wise tips) shared.

    Executive Director for Beckley Art Center, Robby Moore experiences as an artist, curator, theatre professional, community advocate provided steps how to prepare for and approach a gallery with your work.
    Tips from his Lunch and Learn talk: Create a professional packet with bio, CV, artist statement and current work; research the venue ahead of contact – what type of art is featured, is it an audience you are interested in, how do they review new artists; and visit ahead of time. Mr. Moore is an art consultant for both collectors and independent artists. Check out his web and follow on social media.

    Hannah Lenhart, Tamarack Foundation Emerging Artist Fellow, potter, soon to open a brick and mortar studio, classroom, event center in Fairmount, WV brought youthful energy to her presentation.
    Tips: an active social media includes videos of successes and failures making her colorful objects. This is one of many financial channels she is developing.
    Hannah describes her goal in making “My focus through my work is to help make life’s little rituals a little more special.Her website includes online shop, links to social media, and great visuals.

    This month I shared my journey Evolving a Career in Art with a timeline of slides and conversation. Tips shared included: introduce yourself by name even if you might already know the person, be prepared to offer a business card for contact, find the new person in a group to sit with or listen to, encourage new techniques, connect people together with common skills or interests, evaluate your practice and evolve.
    As a former gallery owner we found our clients interested in new work, knowing the stories of makers, and seeing growth in skills or directions. One question was how do I decide what ideas to dedicate time to? Answer: I edit the visuals these days to focus on a body of work. I am learning to interview, video and document people experiencing the impact of humans on our environment and equality. Curating exhibits, advocating, mentoring and continuing to teach design will be the focus for next few years.

    Jamie Lester, sculptor, musician, community advocate from Fayetteville, WV will be the March Creative Network Lunch and Learn speaker.

    Tamarack Foundation for the Arts is adding salon events to the in-person opportunities. Artist Brian Reed leads the first at Echo-Lit, 427 Washington ST. W, Charleston, WV on Feb 22 from 4-7. Thanks to this coordination from Brian and Megan we will have a template to share with other venues throughout the state. Interested in a pop-up salon in your community reach out to TFA for details. (info@tamarackfoundation.org )

  • Textile Arts in Appalachia

    Textile Arts in Appalachia

    Choosing a word to describe the year ahead has become my routine. PROMOTE is 2023’s. Monthly, on the 20th, a blog post will be released introducing people, places and or events I have researched. Focusing on contemporary textile arts, today’s makers of Appalachian traditions or the stories behind objects, the posts will aim to promote culture in the 21st C.

    The Dairy Barn Art Center in Athens, OH offers exhibitions, events and educational programs providing access to fine arts and crafts from outside the region to community of all ages. In its 14th year Women of Appalachia fine art exhibit is featured in the main gallery January 13 – March 19, 2023.

    Jurors Alison Helm, Miyuki Akai Cook, and Margaret Curtis curated into the exhibit 96 works by 40 mixed media artists of diverse backgrounds, residing in or with a strong tie to Appalachia. There are 16 artists who include fiber techniques in their work, three that I recognize from West Virginia. Here are our stories.

    Denise Roberts writes of the many paths of her art career. She attributes driving the winding West Virginia roads as a major influence. Her most recent solo exhibition was at Huntington Art Museum, Huntington, WV. Titled Fiber Contours. It included the MITOTE series.

    Suzan Ann Morgan finds creating work helps to process her own evolving “truths”. On the Face of It suggests that “drag” is the modern version of blackface, except now women are the target. She felt the topic needed to be discussed during this current and rightful push for LGBT rights.

    Susan Feller uses traditional textile techniques to speak about social issues. Jane S. Choice is the fourth in ICONIC series addressing equal rights. The time alone creating is therapeutic, the artwork when exhibited invites conversation and action.

    Quilting, weaving, applique’, assemblage, needle felt, beading, clothing all are used creatively by the exhibitors. Each piece has a personal story briefly explained in a label. Hopefully you can visit and make note to follow the artists’ whose work speaks to you.

    Check out the Dairy Barn Art Center Youtube channel for a series of artist talks. This link goes to a conversation with Suzan Ann Morgan, myself and quilter Nancy Herschberger.

  • Making art – Why?

    Making art – Why?

    I am beginning a new website and thought to muse on creating art.
    Please visit SusanFeller.com over the next months to learn my story.

    I waver between how the methodical, rhythmic action stitching and loop making settles me to an anxiousness felt designing a visual message recording life around me.  Viewing installations, collections and themed exhibits focusing on the latter can energize or inhibit my own design habits. Perhaps the “imposter syndrome” comes into play subconsciously.  Can I call myself an artist like them? Of course just do it.

    Mountains of Energy, mixed media

    When a social issue piece is complete I will clear my mind and explore a different medium. Perhaps sketching small random scenes and shapes, mindlessly combining techniques, materials and designs. Eventually a story sneaks into the process and art evolves again.

    Feb 23 sketch

    How do you end and start again? What are your inspirations? Are you beginning or settled along an art journey?